Main content

Complicit Witnessing: Distant Suffering in Contemporary White Canadian Women’s Writing

Show full item record

Title: Complicit Witnessing: Distant Suffering in Contemporary White Canadian Women’s Writing
Author: McGregor, Hannah
Department: School of English and Theatre Studies
Program: Literary Studies / Theatre Studies in English
Advisor: Kamboureli, Smaro
Abstract: Complicit Witnessing: Distant Suffering in Contemporary White Canadian Women’s Writing examines twenty-first-century literature by white Canadian women that represents, or bears witness to, the lives of “distant others” (Boltanski). Camilla Gibb’s Sweetness in the Belly and The Beauty of Humanity Movement, Kim Echlin’s The Disappeared, and Karen Connelly’s The Border Surrounds Us, The Lizard Cage, and Burmese Lessons: A Love Story can be read as examples of Canadian literature gone “global” and situated within the tradition of literature of sentiment that works to educate Western readers about the lives of distant others while also forging transnational affective bonds. In the context of globalization and the commodification of transnational empathy via neoliberal civilizing regimes, however, care for distant others is irrevocably complicit with a fantasy of distance that would produce the white Western woman as an innocent, rather than implicated, subject. These texts demand a rethinking of complicity beyond accusations of representational guilt based in Orientalist paradigms of power/knowledge. Through an understanding of Canadian literature as a middlebrow institution of national pedagogy, this project questions the discursive production of Canada as a benevolent middle power characterized by humanitarian outreach and white civility, and asks how Gibb, Echlin, and Connelly’s work both endorses and complicates this view. Through the articulation of an ethics of complicity, this project argues for an expansion of the term beyond accusations of criminal collusion to include the sense of enfoldment, implication, and complex affiliation that takes the form, in these texts, of affectively charged transnational (usually romantic) relationships. This focus on sentimental narratives and border-crossing affiliations complicates the ethics of reading that champions textual resistance. Instead, this project explores the tension between resistance and veracity through a methodological approach that heeds both textual complexity and paratextual framing. Complicity is a grounds for neither celebration nor outright dismissal, but provides a way to engage with books that expand the problem of distant suffering and responsibility for the other in the context of how discourses new and old both curtail and over-determine the possibilities of caring for distant others.
Date: 2013-08
Rights: Attribution-NonCommercial-NoDerivs 2.5 Canada
Terms of Use: All items in the Atrium are protected by copyright with all rights reserved unless otherwise indicated.

Files in this item

Files Size Format View
McGregor_Hannah_201309_PhD.pdf 1.841Mb PDF View/Open

This item appears in the following Collection(s)

Show full item record

Attribution-NonCommercial-NoDerivs 2.5 Canada Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 2.5 Canada