Theses & Dissertations

Twentieth-Century Sublimes The Turn from Modernism to Postmodernism: Barnett Newman, Agnes Martin, and Andy Warhol

Simpson, Albert (2017-08)

Out of the Darkness: Creating New Contexts of Meaning in Anselm Kiefer's Citation of Nazi History

Gasbarrino, Alexandra (2017-04)

Chemin Des Lauves: The Studies, Motifs, and Garden Secrets of Paul Cézanne

McDiarmid, Kimberly (2017-04)

Intermediality and “Art for All” in the Work of Walter Crane

Cadger, Emily (2016-12)

Reconsidering Amerindian Art: An Exploration of Indigenous Art Forms in the South American Country of Guyana

Benn, Leanne (2016-05)

Engineering Failure: Historiographical Changes in Artist Biography

Chandler, Timothy (2016-04)

Self-Fashioning and Autofiction in the Photographic Portraits of the Countess de Castiglione

Boileau, Karly (2015-09)

Materialism to (Speculative) Realism: The Objects of Conceptual and Post-Conceptual Art

Salazar, Constanza (2015-07)

The Kilnaruane High Cross: Iconography, Site, and Potential Pilgrimage Round in Bantry, County Cork

Stojanovic, Vanja (2015-08)

The Hunt of the Unicorn: Tapestry Copies Made for Stirling Castle, Scotland

Beingessner, Amy (2015-05)

Hybrid Churches of Canada: A Space for Religious ‘Inculturation’?

Langevin, Breena (2014-11)

Henry Fuseli and the Sexual Sublime

Carter, Sarah (2014-04)

The Ecclesiological Gothic Revival in Southwestern Ontario: Three Churches By Gordon W. Lloyd (1832-1905)

Quattrociocchi, Loryssa (2014-05)

Tattoo Collecting: Living Art and Artifact

Kenney, Lauren (2014-01)

Practice, Perception, and Pollock: Towards a Neurological Reading of Jackson Pollock’s Drip Paintings

Correia, Kim (2013-09)

Framing the Picture

Nelson, Joshua (2013-04)

In a State of Metamorphosis: Artistic Responses in the Legacy of the Residential School Experience

Debassige, Suzanne (2013-02)

A Tale of Two Mappae Mundi: The Map Psalter and its Mixed-Media Maps

La Porte, Melissa (2012-04)

Cutting Room

Pinder, Sarah (2011-08)

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