Main content

Losing Our Religion?: Empathy and Compassion in the Fin de Siècle Novel

Show simple item record

dc.contributor.advisor Elleray, Michelle
dc.contributor.author Beckmann, Margo
dc.date.accessioned 2019-05-28T13:08:21Z
dc.date.available 2019-05-28T13:08:21Z
dc.date.copyright 2019-03
dc.date.created 2019-05-08
dc.date.issued 2019-05-28
dc.identifier.uri http://hdl.handle.net/10214/16163
dc.description.abstract Interrogating theories that posit the fin de siècle as a secular age, this dissertation investigates how biblical motifs and religious concepts entered popular literature as shared cultural knowledge. Between orthodox Christianity and atheism, a less explored terrain exists, wherein evolutionary science and non-dogmatic religious concepts enter into conversation with each other. I situate my investigation in this interstitial space, contending that while the church had lost ground as the scientific theory on common ancestry placed humans in the animal kingdom, and new biblical criticism challenged church doctrines on creation and atonement, Victorians continued to draw on a wealth of culturally embedded biblical motifs to address issues of empathy and compassion not adequately addressed by Darwinian science. While arguably this era was more secular than the high Victorian era, religion did not disappear since it was deeply entrenched in British culture. By explicating how biblical motifs and quotations are inverted or conflated with evolutionary science, my project reveals the continued influence of the Bible in promulgating an ethics of care during an age of industrialization and New Imperialism. In Chapter One I illustrate how Darwinian theory, liberal interpretations of scripture, and new spiritualities that focused on humanist virtues, such as empathy, compassion, and ethics, emerged in the fin de siècle novel, often contesting epistemologies around race, class, and gender. In Chapter Two, I examine H. Rider Haggard’s She: A History of Adventure (1888), illustrating how scripture is deployed to critique church orthodoxy. H. G. Wells’s The Time Machine (1895) is the subject of Chapter Three, wherein I investigate how Wells reconfigures and inverts scripture to argue for class equality. Chapter Four deals with Grant Allen’s The British Barbarians (1895) wherein I draw attention to how biblical motifs are reframed to argue for purity in relationships that do not view sexuality as sinful, but as a celebration of love. In Chapter Five, I illustrate how Olive Schreiner’s Trooper Peter Halket of Mashonaland (1897) deploys the Sermon on the Mount to launch a scathing attack on imperial capitalism and the murder of the Mashonas in Southern Africa. en_US
dc.description.sponsorship Ontario Graduate Scholarship en_US
dc.language.iso en en_US
dc.rights Attribution-NoDerivatives 4.0 International *
dc.rights.uri http://creativecommons.org/licenses/by-nd/4.0/ *
dc.subject Empathy en_US
dc.subject Compassion en_US
dc.subject Fin de Siècle en_US
dc.subject Religion en_US
dc.subject Bible en_US
dc.subject Ethics en_US
dc.subject secularization theory en_US
dc.title Losing Our Religion?: Empathy and Compassion in the Fin de Siècle Novel en_US
dc.type Thesis en_US
dc.degree.programme English en_US
dc.degree.name Doctor of Philosophy en_US
dc.degree.department School of English and Theatre Studies en_US
dc.rights.license All items in the Atrium are protected by copyright with all rights reserved unless otherwise indicated.


Files in this item

Files Size Format View Description
Beckmann_Margo_201905_PhD.pdf 1.636Mb PDF View/Open Dissertation

This item appears in the following Collection(s)

Show simple item record

Attribution-NoDerivatives 4.0 International Except where otherwise noted, this item's license is described as Attribution-NoDerivatives 4.0 International