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The Aesthetics of Collective Identity and Activism in Toronto's Queer and HIV/AIDS Community

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dc.contributor.advisor Boetzkes, Amanda Flannery, Peter 2019-04-29T19:56:48Z 2019-04-29T19:56:48Z 2019-04 2019-04-24 2019-04-29
dc.description.abstract This thesis investigates the social and political impacts of art and visual culture produced in Toronto from the 1970s to the present day through changing dynamics of gay liberation, raids of gay bathhouses by the Metropolitan Toronto Police Force during “Operation Soap,” and the continuing HIV/AIDS crisis. Throughout these historic moments, visual culture was an incubator by which artists formulated the values, performative identities, and political actions that defined their activism. Beginning with a brief history of LGBTQ2S+ issues in Toronto, this thesis analyzes selected works by General Idea, Andy Fabo, Tim Jocelyn, ChromaZone Collective, Will Munro, and Kent Monkman. By performing their identities within the public sphere, these artists developed communities of support and, through intensely affective and political acts, catalyzed social change to advocate for equal rights as well as funding, medical care, and reduced stigma in the fight against HIV/AIDS. en_US
dc.language.iso en en_US
dc.rights Attribution-NonCommercial-NoDerivatives 4.0 International *
dc.rights.uri *
dc.subject LGBT en_US
dc.subject LGBTQ2S+ en_US
dc.subject HIV/AIDS en_US
dc.subject AIDS en_US
dc.subject Queer Theory en_US
dc.subject Canadian Art en_US
dc.subject Contemporary Art en_US
dc.subject Toronto en_US
dc.subject Gay Liberation en_US
dc.subject Bathhouse Raids en_US
dc.title The Aesthetics of Collective Identity and Activism in Toronto's Queer and HIV/AIDS Community en_US
dc.type Thesis en_US Art History and Visual Culture en_US Master of Arts en_US School of Fine Art and Music en_US
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Attribution-NonCommercial-NoDerivatives 4.0 International Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International